Another front-page
column. Wow. I'm getting a big head. Actually, all it means is Sallie's
column has moved to the editorial page and I get to come off the back
pages and on to the front of the Weekend section.
I feel like
I should tackle a big topic or say something profound. And serious, not
just a humor column about penguins being destroyed by icebergs (though
that really is a serious topic).
There was recently
a lot of hoopla and controversy in the county about the region one-act
competition, which was filled with protests, accusations and the like.
I am not going to take sides, as I have seen and enjoyed both the shows
in question, McIntosh's "Godspell" and Fayette County High School's
"Pippin," and I am friendly with both directors at both schools.
I will however state that musicals that are originally two acts should
not be put into a one-act competition.
None of this
year's state champions in any of the five classes were musicals, though
several did place including Pebblebrook's production of "Pippin"
(try saying that five times fast), "Ragtime," "Little Shop
of Horrors," "Guys and Dolls," and "Guys and Dolls
Jr," which must be like the Muppet Babies cartoon, absolutely ridiculous
and annoying. I have nothing against musicals but when you are thinking
about entering the one-act competition, you shouldn't have to worry about
what to cut to fit the parameters.
This goes for
drama too. Imagine trying to trim "Hamlet" to one act. "We'll
skip the Rosencrantz and Guildenstern stuff, trim a little off this Ophelia
nonsense, speed up the play within a play,...Do we really need Polonius?"
A one-act play
is a shorter story with a tighter focus. It typically has a smaller cast
and therefore each performance is key. With a musical, if you have strong
voices in the leads, you will go far. You also don't have to be as strong
an actor. I recently saw "Aida" at the Fox and Paulette Ivory
(Aida) had a phenomenal voice but she was a less-than-phenomenal actress.
The show is still enjoyable and a success, but this illustrates that musicals
can be more forgiving.
It is also
important for the technical aspects of a one-act to be perfect and subtle,
while musicals can be more about spectacle. When you have a large chorus
singing and dancing, you are not paying as much attention to the lighting
or set design.
After hearing
about the disappointment and anger over the region one-act competition,
I began to wonder if there should even be a competition at all. Among
all the Georgia High School Association events that award region and state
champions, the one-act competition is the most subjective of them all.
In athletics, you score the most points or finish in the fastest time
to win. Even with gymnastics, judges examine the technique and subtract
points for minute mistakes. Is this how one-act is judged or does it all
fall on matter of opinion?
Think of the
three judges on the old game show "The Gong Show" and how they
all might have it in for the acts on stage. Granted, the acts were usually
terrible and deserved what they got, but what about other awards, like
the Oscars? Every year I disagree with several of the winners. It is based
on other's opinions. Therefore, schools shouldn't put as much credence
in what the judges say about the production, good or bad. After all, it
was just somebody's opinion.
I realize that
winning the competition is what the students shoot for and that nobody
will abandon the one act festival anytime soon, nor should they. However,
in addition to competing, the local schools should come together and have
a county drama festival, where citizens can come out and enjoy the productions
and support the schools.
As they head
out into the parking lot after the shows, the people will have their opinions
about what they liked and didn't like and nobody's feelings will get hurt.
Plus, split four ways, each school's drama department would get a nice
cut to add to their budget and they get to put on the production, which
they've worked their tails off on for several months, one more time.
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