"An instrument
of great occasions."
Not everyone
agrees with Kent McVay's description of bagpipes, but the timeworn phrase,
"You either love 'em or hate 'em," should probably be downgraded
to cliché status.
In recent years,
the keening of pipes playing "Amazing Grace" has become as much
associated with service-related funerals as a bugle playing "Taps."
And in Fayette
County, McVay is the piper you're most likely to hear. He is the official
bandsman of the Fayetteville Police Department, and will add poignancy
to several of this week's commemorations of an event no American now living
will ever forget.
"It's
an instrument of great occasions," McVay says again. "You'll
see it at weddings, funerals, and bar mitzvahs occasions that have meaning
for people. It is remembered for its emotional impact."
Bagpipes have
long been associated with Scotland, and according to the World Book Encyclopedia
have survived virtually unchanged over thousands of years. Old Testament
references to "pipes" probably mean bagpipes. The origin of
the instrument is unknown, but it has existed with slight variations in
Mediterranean cultures as well as in the Scottish Highlands where it is
actually regarded as an instrument of war.
The Great Highland
pipes are what the public sees and hears at official parades and programs,
McVay says. When he plays his in public, he wears his "police kit"
or uniform, which includes kilts in the Shaw tartan, by special permission
of the Shaw clan. Its colors are similar to the well-known "Black
Watch."
"The Southeast
is a hotbed of piping," says McVay, chuckling at the disbelieving
guffaw that follows his statement.
"It's
true," he says. "Piping has probably tripled in the last eight
years. It's alive, doing well, and moving west.
"It used
to be that Scotland was the home of the great players in the world, and
it still is, but we're starting to develop in the United States and Canada.
A number of people are manufacturing pipes who never did before, and bands
that used to have 30 players now have 50."
That would
include the John Mohr MacKintosh Band, much in the public eye during the
1996 Olympics. Named for Gov. Oglethorpe's "number two guy,"
McVay says, the brilliant-red tartan-clad band paraded around Olympic
Park, leading the Budweiser Clydesdales through blocked-off streets.
Unlike conventional
bands, in which flutes, tubas and saxophones provide a mix of harmonies
and textures, a bagpipe band consists of only two instruments: bagpipes
and drums. And while there may be several drums snare, tenor, bass the
pipes are all the same. The instrument "consists of three drones
real large pipes plus two smaller ones," the piper continues. "The
tenor drones are one octave higher, but they always play A.
"When
you hear the pipes [in a band], they're in unison, all playing the same
thing at the same time," McVay explains. "Occasionally seconds
will play a contrapuntal line throughout the song, but essentially you're
going for volume.
"When
[WSB-TV anchor] Monica Kaufman interviewed Braveheart Mel Gibson,
we played for that too," says the piper, then moves on to describe
his favorite event.
"We play
for the [state's] police memorial service every year," he says, his
voice growing softer. "They used to block off streets around the
capitol in May and parade the riderless horses by. The families [of fallen
officers] would come to hear the governor speak."
The ceremony
has been moved to Forsyth in recent years, but it's not the same as it
was on the capitol steps, he says. The pipers used to stand facing the
bereaved families, McVay says. He pauses, then adds only that it was difficult:
"You don't get callous."
***
Not surprisingly,
the tune most requested of pipers for solemn occasions is "Amazing
Grace." How did this old hymn, long found only in certain Protestant
hymnals, find its way into the bagpipe repertoire and become de rigueur
at military funerals and memorial services?
There seems
to be no clear answer.
With words
melody (it's labeled with five different names in five hymnals), the hymn
crossed over from church-music to the popular realm when country and pop
singers adopted it 25 or more years ago. It became one of the secular
world's best-known hymns. Sooner or later, someone played it on bagpipes,
someone else followed suit, it was used for a funeral, then another, and
soon its inception was lost to history.
***
Did McVay say
he plays for weddings too? "Scotland the Brave," next-most-requested
bagpipe tune, would work for a wedding, although McVay says he was asked
recently to play "The Wedding March" for an anniversary party.
He has also
played in Carnegie Hall, in New York City. No, really. The South Fayette
Middle School band was participating in a festival there, and "Amazing
Grace" was one of the pieces.
McVay had played
in their assemblies and so was invited to go along. "I got to solo,"
he says but he also got to chaperone. That's all right. He admits that
he's on a mission to stimulate an interest in the pipes, especially among
the young.
His own career
began when his mother gave him "an old set of family pipes, and I
planned to pass them to one of my kids."
Wait a minute.
His mother just happened to find bagpipes in the attic?
It helps to
understand that McVay, 53, is thoroughly Scottish, his mother a McConnell
and his father's family from a region southwest of Glasgow.
McVay and his
pipes moved east with Western Air Lines; he now works for Delta. His oldest
child is 26, "in the computer business and self-sufficient."
His younger son and daughter are at North Georgia College. His wife, Rosalie,
a math teacher at Fayette County High School, pointed out that if McVay
was going to inspire the kids to play, he'd better learn to play them
first himself.
He studied
under Jerry Finegan, then of East Point. Finegan, who now lives on the
north side of Atlanta, is pipe major of the Atlanta Pipe Band.
The unwieldy
instrument is harder to play than observers might think. Because there
is no correlation between breathing and phrasing the player's lungs merely
refill the bag which is squeezed steadily to provide air for the pipes
it's a little like trying to pat your head and rub your tummy at the same
time, McVay says.
It take perhaps
six months to two years to learn the pipes, he estimates, whether or not
the student had prior musical training which McVay did not. Growing up
in a Los Angeles suburb, he says, he was too busy surfing to play a more
conventional instrument in his high school band anyhow.
"I play
the banjo," he says, as though that somehow explains it all, and
he listens to NPR.
McVay has also
played for schools and church events he's a parishioner at St. Andrew's-in-the-Pines
Episcopal Church in Peachtree City and for organizations like the Veterans
of Foreign Wars. He does not charge for his services, but requests that
a donation be made to a police department charity, consistent with his
conviction that the police should present a positive image in the community.
He will play
for the Sept. 11 memorial service at Fayetteville's First United Methodist
Church at 11:45 a.m. The event is open to the public.
Bagpiper McVay
also will perform at the Peachtree City commemorative service on Sept.
11, 7 p.m. in the Frederick Brown Amphitheater.







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